Filed Under Entertainment

Euclid Tavern

The Euclid Tavern was established in 1909 but became a prominent fixture in University Circle only in the late 1970s and early 1980s. With its laid-back atmosphere and unrefined reputation, the Euclid Tavern attracted a varied clientele that ranged from local college students to blue-collar workers and Cleveland police officers. Bob Jost and Paul Devito, owners of the Euclid Tavern during this time period, operated the establishment with no specific business model in mind. Reportedly, regular patrons were free to go behind the bar to get their own drinks and place money in the cash register themselves. When the bar ran out of pitchers for serving beer, the bartenders were known to fill empty Tropicana glass bottles instead.

During the 1980s and 1990s, the Euclid Tavern emerged as a popular place for Clevelanders to listen to local and underground bands and just have a good time. "The Euc," as it was known by many, did not try to compete with popular Cleveland dance bars like the Agora, Spanky's, or Filthy McNasty's. Instead, the Tavern embraced a more low-key style and scheduled weekly appearances by bands that played their own original music.

In the early 1980s, the co-owners of the Euclid Tavern had a difficult time filling the Monday night performance slot. In place of hosting a band, Jost, Devito, and Jimmy Cvelbar took employee Jerry Suhar away from making his "Pittsburgers" in the kitchen and placed him at center stage hosting an open mic night. Unfortunately, there were rarely any volunteers from the audience willing to perform. Suhar, a seasoned performer with training from Cleveland Institute of Music, took up the slack, singing and playing guitar for the college students who showed up on Monday nights. Suhar played in the Monday night slot from 1980 to 1990 and became known for leading sing-a-long arias and singing novelty songs like "Mighty Mouse" and Freddie Blassie's "Pencil Neck Geek."

When Suhar retired from performing at the Euclid Tavern, another employee from the tavern kitchen, Derek Hess, began booking Monday night shows featuring touring underground rock bands. Burgeoning "alternative" acts like Helmet, Pantera, Pavement, and Green Day - whose tours might have skipped Cleveland before Hess helped restore the city's reputation as a rock and roll destination - now had a place to play in Cleveland where they knew they would be treated well. As word spread among touring musicians, the Euclid Tavern's booking calendar grew fuller and the club expanded its musical offerings from Monday nights to hosting a concert almost every night. In addition to booking the shows, Hess, a Cleveland Institute of Art alumnus, also produced the show flyers advertising the bands. In time, Hess's poster art became a ubiquitous presence in Cleveland's art and music scene, helping to give the Euclid Tavern a distinctive identity and eventually propelling Hess to national prominence as one of the world's best-known poster artists (a number of Hess's works from this era have been added to the permanent collections of the Louvre and the Rock and Roll Hall of Fame and Museum). Within a few short years, the Euclid Tavern had gone from one of the city's best neighborhood hangouts to one of the nation's best rock and roll clubs, losing none of its local character in the process.

The Euclid Tavern was also a filming location for the 1987 film "Light of Day" starring Michael J. Fox and Joan Jett.  The director of the film, Paul Schrader, came to listen to the Generators and decided to include the Euc in the film because he liked its atmosphere. The Euclid Tavern was the venue for Fox and Jett's fictional band The Barbreakers to perform at the end of the film. In preparation for the film, the Tavern was slightly uncluttered and was supposedly given the famous neon sign that still hangs in the front of the building.

In 1997, after nineteen years of ownership, Jost and Devito sold the Euc to Dan Bliss and John Michalak, owners of a number of local Cleveland establishments including Peabody's Down Under in the Flats. Unfortunately, the new owners were unable to keep the business afloat; the Euclid Tavern closed its doors in 2001. In 2013, after a series of failed re-launches, University Circle Inc. took ownership of the property. The Euclid Tavern re-opened as a second location of Happy Dog in 2014 but closed four years later.


Any Tough Guys Come In, We Beat 'em Up Jerry Suhar discusses how the Euclid Tavern maintained order when troublemakers showed up. Source: Cleveland Regional Oral History Collection
Monday Nights at the Euc Jerry Suhar discusses how he personally transformed Monday nights at Euclid Tavern with entertainment variety. Source: Cleveland Regional Oral History Collection
The Scene In The Late 1980s Artist Derek Hess comments on the rise of the Euclid Tavern as a nationally known concert venue Source: Cleveland Regional Oral History Collection
A Neighborhood Bar Derek Hess talks about the types of people who hung out at the Euclid Tavern before it became an underground rock club Source: Cleveland Regional Oral History Collection


Bottom Performs
Bottom Performs Bottom performs at the Euclid Tavern Source: Karen Novak
Cop Shoot Cop Flyer, 1991
Cop Shoot Cop Flyer, 1991 Image courtesy of Derek Hess Source: Derek Hess Date: 1991
Euclid Tavern Marquee
Euclid Tavern Marquee Image courtesy of Karen Novak Source: Karen Novak
Helmet Flyer, 1991
Helmet Flyer, 1991 Image courtesy of Derek Hess Source: Derek Hess Date: 1991
House of Large Sizes, 1993
House of Large Sizes, 1993 Image courtesy of Derek Hess Source: Derek Hess Date: 1993
Jesus Lizard, 1995
Jesus Lizard, 1995 Jesus Lizard at the Euclid Tavern, 1995 Source: Karen Novak Date: 1995
Queens of the Stone Age, 1998
Queens of the Stone Age, 1998 Queens of the Stone Age at the Euclid Tavern, 1998 Source: Karen Novak Date: 1998
The Cows, 1994
The Cows, 1994 The Cows at the Euclid Tavern, 1994 Source: Karen Novak Date: 1994
Booking Calendar, 1992
Booking Calendar, 1992 Derek Hess' booking calendar from 1992 shows details about how much artists were paid to perform at the Euclid Tavern. Of particular note in this image, it appears Green Day (touring on their "Kurplunk" album) was paid $100 for their performance, while Pavement (touring on "Slanted and Enchanted") was able to negotiate 60% of admission/ticket revenue, amounting to a take of about $660. Pavement's payment also included a "rider" requesting a meal for each of the band members, as well as a case of beer. The planner provides a snapshot of the underground music scene at the very moment when it began garnering mainstream attention. Earlier that year, Nirvana's "Nevermind" album reached number one on the charts, marking an important turning point in American music that would eventually transform previously-obscure bands like Green Day and Pavement into bona fide rock stars. Source: Derek Hess. Date: 1992


11625 Euclid Ave, Cleveland, OH 44106 | Closed Permanently


Marilyn Miller, James Calder, and Erin Bell, “Euclid Tavern,” Cleveland Historical, accessed May 21, 2024,