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  <title type="text">Cleveland Historical</title>
  <updated>2026-05-10T00:03:31+00:00</updated>
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  <id>https://clevelandhistorical.org/</id>
  <author>
    <name>Cleveland Historical</name>
    <uri>https://clevelandhistorical.org</uri>
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  <entry>
    <title type="html"><![CDATA[Schofield Building: Recovering the Original Façade]]></title>
    <summary type="html"><![CDATA[<p><strong><em>Who would have guessed that underneath an ugly, polished granite exterior was a beautiful Victorian style building designed by Levi Schofield? </em></strong></p><img src="https://clevelandhistorical.org/files/fullsize/30963917b99f0fa6b569463208285614.jpg" alt="The Kimpton-Schofield Hotel" /><br/><p>For 30 years the beautiful red brick and terra cotta Schofield Building lay hidden underneath under a gray sequoia granite façade. In an effort to modernize the Schofield Building, part of Cleveland’s history had been buried. Luckily, historic preservation brought the original beauty of the Schofield Building back to Cleveland.</p><p>From the very beginning, the construction of the Schofield Building was wrought with impediments. Levi Schofield designed the Schofield Building to be built on the site of Schofield family residence located on East Ninth Street and Euclid Avenue. In August of 1900, Levi Schofield’s sister Mary E. Field objected to the use of the deeds belonging to property, claiming that the Schofield Building Co. was using the deeds without her authority. The common pleas court case had little effect on the construction as Schofield’s plan to build a fourteen story office building on the property attracted the attention of several banking and trust firms.</p><p>The construction of the Schofield Building began in April of 1901. On April 16th a laborer on the Schofield construction site named William O’Neal was badly injured when he fell from the first story and was buried under the debris of a toppled wall. Schofield was arrested on September 16, 1901 for violating the building ordinance by not providing temporary floors in the Schofield Building during construction. Schofield informed the Plain Dealer that he was humiliated by the police who treated him as if he were a “common pickpocket” and a “rogue.” Schofield explained that it was not his responsibility to put the temporary floors into the Schofield Building, but that of Building Inspector Harks. During Schofield’s September 27th trial, Inspector Harks testified that the Schofield Building was ready to install temporary floors, but Schofield refused to install them because they would be in the way. Schofield testified that the building was not ready for the temporary floors, and it would be dangerous to install them. Schofield was acquitted when Judge Woolf dismissed the case due to insufficient evidence.</p><p>In October of 1901, another man fell from the Schofield Building. Inspector Harks attempted to obtain another warrant for Schofield’s arrest. Mayor Tom L. Johnson advised Police Director Dunn not to serve the warrant. Mayor Johnson threatened to revoke Harks’ building inspector certification and insisted that Harks have the contractor arrested instead of Schofield. Regardless of warrants, the unsafe conditions continued on the Schofield Building construction site. Another incident occurred on October 29th when a lumber derrick broke two stories up, sending lumber crashing to the ground. Luckily there were no workmen directly under the derrick and there were no injuries.</p><p>As the 429-room, fourteen story Schofield Building  neared completion in 1902, its red-brick masonry and terra cotta moldings covered its steel skeleton, also consigning to fading memory the tumultuousness of its construction. In 1969, another layer then consigned even the building itself to fading memory as the Nelson Façade Company put new facing on the upper floors made of fiberglass panels and metal trim. When the Citizens Federal Savings & Loan Association became the new owners in 1980, they began to renovate the Schofield Building. The new design by Hoag-Wismar Partnership’s architect Raymond S. Febo intended to blend the Schofield Building into the architectural landscape of the area. Febo chose a polished gray sequoia granite to complement the three surrounding banking institutions. The lower-level columns of the Schofield Building were sheathed by the granite and panoramic windows were installed. The result was a building that not only lost its original appearance but also its very name: The Schofield Building was now Euclid-Ninth Tower!</p><p>A historic restoration of the Schofield Building was promised in 2009. The metal façade was removed to investigate the brickwork and terra cotta underneath. The remaining historic material qualified the Schofield Building for federal and state tax credits, but the recession kept the renovation from going forward. The Schofield Building sat windowless and surrounded by scaffolding for three years.</p><p>The Schofield Building has proven to be an adaptable home to many Cleveland businesses and professionals. Some tenants of the Schofield Building include manufacturing companies, advertising firms, printing companies, investment security companies, brokers, lawyers, bankers, treasurers, engineers, stenographers, and tailors. The Schofield building was also home to Cleveland's first gay-friendly bar, the Cadillac Lounge. The Cadillac Lounge was a small piano bar in business from 1946 to the 1960s.</p><p>J. B. Robinson Co., Inc. was a wholesale diamond operation located on the 8th floor of the Schofield Building. It was founded in 1946 by Joseph B. Robinson and became one of the largest jewelers in the country. Robinson's son, Lawrence, changed the company to a retail jewelry firm, and became the "Diamond Man" spokesman for the company in the 1960s. Currently, the Schofield Building has transformed into a four-star boutique hotel.</p><p>In 2013 Kimpton Hotels & Restaurants promised to turn the Schofield Building into a 122 room hotel below 52 luxury apartments. The brick and terra cotta of the exterior along with the decorative cornices and Corinthian columns were repaired or recreated. The interior was completely rebuilt, only the original marble and iron staircase remain imprinted with an “S” for “Schofield.” The Kimpton Schofield Hotel opened in March of 2016, decorated with artwork that reflects Cleveland’s industrial roots. The Schofield Building celebrates over a hundred years of Cleveland’s local history, highlighting the importance of historical preservation.</p><p><em><strong><a href="https://clevelandhistorical.org/items/show/812">For more (including 11 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-09-26T22:55:39+00:00</published>
    <updated>2026-04-17T19:17:41+00:00</updated>
    <link rel="alternate" type="text/html" href="https://clevelandhistorical.org/items/show/812"/>
    <id>https://clevelandhistorical.org/items/show/812</id>
    <author>
      <name>Natalie Neale</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Levi Scofield Mansion: The Historic Home of One of Cleveland&#039;s Finest Architects Slowly Crumbles]]></title>
    <summary type="html"><![CDATA[<img src="https://clevelandhistorical.org/files/fullsize/e8adc8847e2aa6fe4dc494c0b1e94df3.jpg" alt="Levi Scofield Home" /><br/><p>You can't walk through downtown Cleveland today without noticing and marveling at the restoration of the beautiful Scofield building, constructed in 1902 on the southwest corner of Euclid Avenue and East Ninth Street.  And who hasn't visited Public Square without noticing the  imposing 125-foot tall Soldiers' and Sailors' Monument there, dedicated in 1894 to Cleveland's Civil War heroes.  But the magnificent mansion of the man who designed these two iconic Cleveland landmarks?  Sitting for the last 117 years at 2438 Mapleside Road in the city's Buckeye-Woodhill neighborhood, hardly anyone notices it today.  And, sadly, it is slowly crumbling into ruins.</p><p>Levi Tucker Scofield, the man who designed the Soldiers' and Sailors' Monument and built the Scofield Building, as well as the mansion on Mapleside Road, was a third-generation Clevelander, born in 1842 on Walnut Street, near today's downtown intersection of East Ninth and Superior Avenue.  His grandfather Benjamin, a carpenter, came to Cleveland from the state of New York in 1816, and built some of the early-era buildings in what is now the city's downtown.  Levi's father William followed in the family business, likewise becoming a carpenter and also a builder who contributed to the early building up of downtown Cleveland.  In the 1850s, William purchased property on the southwest corner of Erie (East Ninth) and Euclid Avenue, and in about 1861 built a boarding house there, which also served as his family's residence.  Growing up in such a family, it is not surprising that Levi decided to become an architect.</p><p>When the Civil War broke out in 1861, Levi Scofield, just 19 years old, left Cleveland to fight for the North.  He joined the 103rd Regiment as a private, but was soon commissioned a second lieutenant.  By the War's end, he had risen to the rank of Captain.  In 1865, he returned to Cleveland and began his career as an architect.  His work covered a wide range of building types.  He designed mansions for Euclid Avenue millionaires.  He also designed school buildings--including the Central High School building on Wilson Avenue (East 55th Street) in 1877.  He was an early architect of penitentiary buildings, creating the plans for the Athens, Ohio Lunatic Asylum (1868)--today, housing the Kennedy Museum of Art at Ohio University, the North Carolina State Penitentiary (1870), and the Ohio State Reformatory at Mansfield (1886).  Scofield also designed monuments--not just the famous Soldiers' and Sailors' Monument on Cleveland Public Square (1894), but also--and perhaps just as important to his national reputation, the 'These Are My Jewels' monument for the State of Ohio that was featured at the 1893 Chicago World's Fair.  And, of course, he designed office buildings, including the downtown Scofield Building.</p><p>In the 1890s, as the Euclid Avenue corridor in downtown Cleveland was transforming into a commercial district, Levi Scofield decided to move from what had been his boyhood neighborhood of Erie (East Ninth) Street and Euclid Avenue, to the "country"--the southeast side of Cleveland, near today's intersection of Quincy Avenue and Woodhill Road.  There on a bluff overlooking the Fairmount Reservoir--which was then a picturesque body of water, he purchased six plus acres of land and designed and built a beautiful residence for his family.  The three-story, stone-facade Victorian style house with over 6,000 square feet of living space was completed in 1898.  Scofield resided there until his death in 1917.</p><p>After the death of Levi Scofield, his family remained in the house until 1925, when it was sold to the Cleveland Catholic Diocese.  For the next thirty years, the Scofield mansion served as a chapel, a mission headquarters, and as a convent for the Sisters of the Most Holy Trinity.  In 1955, the Sisters sold the property, and the mansion became a nursing home--first Mapleside Nursing and then Baldwin Manor, until approximately 1990, when it closed.  Since that time, the mansion has been vacant and has experienced neglect and disrepair.  Now nearly 120 years old, the Levi Scofield mansion is  on the brink of demolition. There has been much talk in recent years about the Opportunity Corridor and what that new roadway might bring to the Buckeye-Woodhill neighborhood on Cleveland's southeast side, where this mansion still stands.  Whether the new corridor will be built in time to bring new opportunity to the historic Levi Scofield Mansion, though, is anyone's guess.</p><p><em><strong><a href="https://clevelandhistorical.org/items/show/742">For more (including 12 images) view the original article</a></strong></em></p>]]></summary>
    <published>2015-10-27T05:37:52+00:00</published>
    <updated>2026-04-17T19:17:41+00:00</updated>
    <link rel="alternate" type="text/html" href="https://clevelandhistorical.org/items/show/742"/>
    <id>https://clevelandhistorical.org/items/show/742</id>
    <author>
      <name>Jim Dubelko</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Soldiers&#039; and Sailors&#039; Monument: A Memorial to Cuyahoga County&#039;s Civil War Veterans]]></title>
    <summary type="html"><![CDATA[<img src="https://clevelandhistorical.org/files/fullsize/133fa52b669574df39d016d55aa6d0d1.jpg" alt="The Advance Guard" /><br/><p>Amid the busy streets of downtown Cleveland stands the Soldiers' and Sailors' Monument, built to honor the 10,000 Cuyahoga County residents who fought in the Civil War. Almost fifteen years after Major William J. Gleason first suggested the idea of honoring the bravery of these local Union soldiers, the monument was finally dedicated on July 4, 1894. This long anticipated event featured a parade over five miles long, an opening address made by William McKinley, performances by the Great Western Band, and children singing anthems of patriotism. </p><p>Despite all this enthusiasm, the Soldiers' and Sailors' Monument was subject of hostility throughout most of its planning. City authorities and a few citizens opposed the scheme to locate the monument in the southeast corner of <a href="https://clevelandhistorical.org/items/show/22">Public Square</a>, where it now stands. After numerous court battles, one of which went to the Supreme Court, and meetings to protest the building site, construction finally began at the location on August 25, 1891.</p><p>A committee of twelve former soldiers and sailors were in charge of the monument's planning. The monument was designed by architect Levi T. Scofield, but the entire Soldiers' and Sailors' Monument committee contributed with their ideas. The decision to have the monument be either a shaft or a memorial hall was put to a vote at a meeting of Camp Barnett Soldiers' and Sailors' Society. Because the votes were split, it was decided to include both styles in the design. </p><p>The total height of the Soldiers' and Sailors' Monument reaches to 125 feet. Atop the black Amherst stone column stands Lady Liberty in a defensive stance. The column itself is separated into sections by six bands that together contain the names of thirty of the most notable Civil War battles. A bastion fort with guns mounted in barbette connects the column to the monument's building. Surrounding the Soldiers' and Sailors' Monument are four bronze statues symbolizing the principal branches of service: the Infantry, the Cavalry, the Navy, and the Artillery. During the planning, the building became a tablet room rather than the originally proposed memorial hall. Inside the building, which became a tablet room rather than the originally proposed memorial hall, the names of the 10,000 Cuyahoga county Union soldiers are carved in the marble walls. Above the tablets, on the east and west walls are the bronze busts of officers who were killed in action. Above the north side door is the bust of General James Barnett, and above the south side door is Captain Levi T. Scofield. The foundation of the column centers the room. On each of the four sides are bronze relief statues portraying the Beginning of the War in Ohio, The Emancipation of the Slave, the Northern Ohio Soldiers' Aid Society, Sanitary Commission, and Hospital Service Corps, and The End of the War. </p><p>In 2008, an extensive restoration began on the Soldiers' and Sailors' Monument lasting two years and totaling two million dollars. Reopened to the public on June 4, 2010, this symbol of pride for the residents of Cuyahoga county can now be visited and appreciated year round.</p><p><em><strong><a href="https://clevelandhistorical.org/items/show/332">For more (including 10 images&#32;&amp;&#32;5 audio files) view the original article</a></strong></em></p>]]></summary>
    <published>2011-09-05T19:34:15+00:00</published>
    <updated>2026-04-17T19:17:38+00:00</updated>
    <link rel="alternate" type="text/html" href="https://clevelandhistorical.org/items/show/332"/>
    <id>https://clevelandhistorical.org/items/show/332</id>
    <author>
      <name>Heidi Fearing</name>
    </author>
  </entry>
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