Filed Under Music

Jazz Temple

When Jazz Came to University Circle in the 1960s

Physical changes in neighborhoods are typical in most major cities, and with the passage of time they appear even more dramatic. Unlike fictional towns and buildings we’ve read about in childhood or seen in movies, change in community identity is inevitable. Yet some images from the past populate our memories and we recall them with remarkable clarity.

The Mayfield Triangle: The former street address 11339 Mayfield Road is now 11400 Euclid Avenue. And although official street numbering changes over the years for one reason or another (zoning requirements, city planning, urban renewal, or real estate development), certain historical facts about some properties often become lost amid the changes. Today, observing motorists and pedestrians teeming around the bustling Euclid Avenue and Mayfield Road intersection, it’s fair to say that few if any of them know the history of the Triangle area before it was transformed into the mini-metropolis now known as Uptown Cleveland. For a brief time in the early 1960s, the triangular lot, then known as the Mayfield Triangle, upon which now rests the Museum of Contemporary Art building, was the site of a popular coffee house jazz club called the Jazz Temple.

When the 1960s dawned in the United States, it was heralded as a new decade of youth and change by a dynamic young president, John F. Kennedy, who assumed office trumpeting his “new frontier”. In previous years, the calm complacency of the post World War-II era had lent a relative tranquility, but it was gradually disappearing as post-war babies were becoming young adults. With a cultural landscape that included sleek cars, the Twist, the Pill, and a persistent atmosphere of cigarette smoke, the nation was on the verge of a decade of counterculture and social revolution. A great deal of this culture fermented on college campuses where students were beginning to find their voices and express their own individual political views and values.

At a time when the U.S. was approaching some of its most explosive times, including the rise of a free speech movement, music was rapidly becoming the main vehicle of self-expression for young people. Jazz and one of its subgenres, free jazz/improvisational jazz, were very attractive, especially to college students. So when a shrewd and savvy young African American entrepreneur named Winston Willis brought his coffee house jazz club to University Circle, within arm’s reach of the Western Reserve University (now CWRU) campus, and at affordable prices, it appeared to be a dream come true for all concerned. Imagined, engineered and created by young Willis, who was also a big fan of the musical genre, the Jazz Temple arrived on the scene at the tail end of the Beatnik era and smack in the heyday of ’60s-type coffee houses. Willis chose the club’s name to symbolize a devout gathering place dedicated to the icons of the jazz world where legendary artists could be collectively enjoyed and appreciated.

Having operated several successful small businesses, he sensed that something was lacking in this upscale college community. So, after making a careful assessment of the area and determining what was needed and what would be likely to work, he decided that high-quality jazz performances at a student-friendly and affordable price was the answer. Then, quickly putting his idea into action, he secured a lease on a vacated building, a former Packard automobile showroom, and immediately began remodeling, devoting careful attention to acoustics. Shortly thereafter, in 1962, the club opened to immediate success.

The liquor-less establishment that seated approximately 450 people was near the ethnic enclave known as Murray Hill (Little Italy), a place that was notably hostile toward African Americans. As noted by former Cleveland mayor Carl B. Stokes, "... Cleveland was in the hands of ethnics, the immigrants from Middle and East European countries." Historian Dr. Todd M. Michney has observed that "... Little Italy's residents historically marked their territory and sought to ward off racial residential transition through the use of violence..." With surrounding institutional neighbors in the city’s so-called "cultural oasis," the Jazz Temple was a noteworthy, if incongruous jewel in the Mayfield Triangle.

From all over Cleveland and surrounding areas, dedicated jazz enthusiasts assembled to enjoy and appreciate the musical genre. Soon, the terms “preaching at The Temple” and “worshipping at The Temple” became popular colloquialisms and catchphrases. Legendary jazz greats, many of whom were considered musical geniuses, frequently headlined at the club. Miles Davis was cool but Kind of Blue, John Coltrane took Giant Steps to play My Favorite Things, and Dizzy Gillespie was blowin’ and Boppin’ and Groovin’. Many other notable artists also performed magnificent solo riffs, instrumentations and stunning improvisations that became sealed in memories forever. Though sometimes described erroneously in the local press as "the ultimate 'beatnik' club", the Temple also featured popular female jazz vocalists like Dinah Washington and Gloria Lynne, as well as great stand-up comics like Dick Gregory, Redd Foxx, and Richard Pryor.

During the early 1960s, the Western Reserve student body was predominantly white, and these students and others from surrounding universities accounted for a large percentage of the club’s patronage. But as is typical of jazz establishments, there was a noticeable amount of race mixing and many interracial couples in attendance each night. Individuals who managed to navigate the social inequities of the time and gather in a communal appreciation of jazz.

As the club’s notoriety grew, it came to be considered by many world-famous jazz musicians as the “Jazz Mecca." But the interracial dating and race-mixing at the club triggered widespread resentment in racially polarized Cleveland. Particularly in the Murray Hill (Little Italy) community, where visible racial tensions mounted. With attempted intimidation by local law enforcement, some nights saw as many Cleveland police officers in attendance in the club as regular customers. These visits were routinely followed by unscheduled and unannounced inspections and bogus citations. The warnings were dire and persistent, and thereafter, months of ominous threats of violence and anonymous phone calls during and after business hours foretold of the coming end. Several famous acts appearing at the club refused to be intimidated initially, insisting on performing. But finally, after several thwarted bombing attempts, the frequency and intensity of the threats were followed by a tremendous after-hours explosion in 1964 that completely demolished the Jazz Temple and its brief reign ended soon after. As reported in the local press: “Police were unable to find reasons for the bombing of the interracial house of jazz but they found remnants of a bomb." And the message was clear.


Winston Willis, Dizzy Gillespie in rear of Jazz Temple Building
Winston Willis, Dizzy Gillespie in rear of Jazz Temple Building Gillespie was making one of several appearances at the club when this photo was taken. Source: Willis Family Photographs/Day Street Date: August 1963
Early Jazz Temple Poster/Flyer
Early Jazz Temple Poster/Flyer Willis saturated the University Circle and neighboring Cleveland areas with promotional materials announcing imminent grand opening of the club. Source: Willis Family Photographs/Day Street Date: Fall 1962
Jazz Temple Newspaper Coverage
Jazz Temple Newspaper Coverage These articles announced appearances by Dizzy Gillespie, Dinah Washington, Milt Jackson, Art Blakey and the Jazz Messengers, Cannonball Adderly, and Redd Foxx. Source: Call and Post Date: 1962-1964
Winston and Charlene – The Dynamic Duo
Winston and Charlene – The Dynamic Duo With Winston in the out-front managerial role, the Temple took off like wildfire. But behind the scenes, it was the on-site management support and assistance of his girlfriend Charlene that kept the club running smoothly. Even after working full days in her busy hair salon, she devoted her evenings to the Temple. Source: Willis Family Photographs/Day Street Date: August 1963
Preachin’ At The Temple Poster
Preachin’ At The Temple Poster Jazz Temple logo with listing of some of the jazz greats and comic legends who performed at the club. Source: Jazzed in Cleveland (12/21/2011) and Willis Family Photographs/Day Street
Miles Davis: "You call me and I'll come."
Miles Davis: "You call me and I'll come." Vintage photo booth shots (“selfies” in today’s vernacular) taken of Winston in Detroit around the time he first met Miles Davis. Many of Willis’s competitors wondered how such a young man managed to book so many major acts. And although much was often wrongfully attributed to swagger and bluster, Willis, at age 22 was already an experienced and astute businessman. He was only 14 when his family joined in the Great Migration, leaving the family home in Montgomery Alabama and settling on the West side of Detroit. Dropping out of high school in the 10th grade, he established a home-based print advertising business and sold Collier Encyclopedias door-to-door. Having learned carpet laying and floor covering skills at his father’s side, he quickly found gainful and lucrative employment in that field as well. While in a management role at a Detroit floor covering company, Willis received a called for an estimate on a potential carpet laying job in a large East side home. He arrived at the house and came face to face with one of his all-time music idols, Miles Davis, who was in residence at the home. The two men became friendly, and after a while, Willis told the famed trumpeter of his intentions to open a jazz club someday. And after a few profanity-laden tips on the ins and outs of the business, Davis’s response was: “You call me and I’ll come.” And even though Miles Davis was notoriously aloof and unpredictable and had a well-deserved reputation for not showing up for gigs, he honored his promise to Winston and made several appearances at the Temple. Source: Willis Family Photographs/Day Street Date: 1959
Front Page Newspaper Headline on Jazz Temple Bombing
Front Page Newspaper Headline on Jazz Temple Bombing Featuring quote from reporter: “Police were unable to find reasons for the bombing of the interracial house of jazz but they found remnants of a bomb." Source: Call and Post Date: August 17, 1963
Little Italy Map
Little Italy Map This map, in which Little Italy is outlined in blue, shows that district's location in relation to the intersection of Euclid Avenue and Mayfield Road, the site of the Jazz Temple. Although the perpetrator(s) of the 1964 bombing may never be known, the fact that Little Italy was seething with racial tension around the same time at least provides a context in which to understand the unfortunate demise of the Jazz Temple. Source: Creator: Cleveland City Planning Commission
Leon Bibb Recalls the Jazz Temple
Leon Bibb Recalls the Jazz Temple Bibb recently posted very nice comments on his memories of the Jazz Temple. He has also e-mailed the author on the subject. Source: Date: 2017
The Mayfield Triangle Today
The Mayfield Triangle Today The smoky glass, hexagonal building sitting astride the triangular lot is oddly reflective of its surroundings. Every image in the panels of the exterior of the Museum of Contemporary Art building has a history. The apartment building across the street, which once was the Commodore Hotel. The fast food sandwich shop that stands in place of the family owned Italian restaurant that held the spot for generations. The cluster of Uptown Cleveland buildings and signs that form a nexus to other nearby structures. All have an indelible link to past Cleveland days and a wealth of unexamined history. But in as much as the Mayfield Triangle has not yet found its historian, let it suffice to say that for a brief moment in time, one of the most well-respected American art forms and legends of the jazz world came to University Circle. It happened because one young African American man, Winston Willis, had the courage and insight to penetrate a racially restricted area and create a unique jazz club experience for appreciative audiences of all races that accurately represented the changing spirit of the times. Creator: Erik Drost, Flickr CC BY 2.0


11339 Mayfield Rd, Cleveland, OH 44106 | This site no longer exists.


Aundra Willis-Carrasco, “Jazz Temple,” Cleveland Historical, accessed July 21, 2024,