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  <title type="text">Cleveland Historical</title>
  <updated>2026-05-02T03:58:03+00:00</updated>
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    <name>Cleveland Historical</name>
    <uri>https://clevelandhistorical.org</uri>
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  <entry>
    <title type="html"><![CDATA[The 1936 Republican National Convention]]></title>
    <summary type="html"><![CDATA[<img src="https://clevelandhistorical.org/files/fullsize/54393e7ffc5f662636915ddfc168706e.jpg" alt="Welcome Banner on May Co. Building" /><br/><p>During the Great Depression, Cleveland struggled like many other cities. It went from being the second largest industrial center in the country, trailing only Detroit, to experiencing an exodus of citizens. Cleveland lost close to half of its jobs during the depths of the Depression. However, even this was not enough to diminish Cleveland's importance.  In late 1935, the Republican Party (GOP), had narrowed down its main selections for its 1936 national convention site to Chicago, Kansas City, and Cleveland. By late 1935, with a strong push from Chester Bolton, a prominent Ohio Republican from Cleveland who served on the congressional committee for the convention, Cleveland's Public Auditorium was chosen for the Republican National Convention. The same year, the city hosted the Great Lakes Exposition. Both events created a lively scene on the Mall.</p><p>By June Cleveland was well prepared for the RNC. As the Republicans poured through the streets of Cleveland, there was tension in the air. The president, Franklin Delano Roosevelt, was highly beloved, as was his party. The man who would be selected the presidential nominee, Alfred Landon, was one of the few Republican governors elected in the early 1930s, and he was the only incumbent to win. So the race to the White House would not be an easy one. While Cleveland used the months from the beginning of 1936 to June to prepare for the influx of convention-goers, the GOP had not planned as well as the host city. There was some fear that Herbert Hoover, former president and Republican luminary, might challenge Landon's current position as GOP frontrunner. Luckily, he did not and Hoover, as well as the keynote speaker Fredrick C. Steiwer, fully supported Landon, who easily beat his closest competitor, Sen. William Borah of Idaho. In fact, Landon must not have been overly concerned about his situation, for he remained in Kansas throughout the convention and was conspicuously absent from public view for two months thereafter.  </p><p>Since Abraham Lincoln's historic presidency, the African American vote had always been overwhelmingly Republican. Even when Hoover's policies had little positive effect in the early years of the Depression, most African American voters stood by the Republicans. That is until 1936, when a startling lack of  black representation stunned the loyal demographic. Many black leaders cried out on this, as well as many papers, including the Call and Post, Cleveland's prominent African American newspaper, and even the Plain Dealer, one of the city's leading dailies. One African American leader, Dr. Charles H. Phillip, claimed it would be "the death of the Republican Party." The Republicans ignored this warning, and Steiwer launched into a vicious speech against the New Deal and FDR. Landon's acceptance speech as the nominee was filled with similar rhetoric.</p><p>However, it seems that Phillip was correct in his observation. Landon was utterly devastated by FDR, winning only two states (Maine and Vermont). FDR went on to serve three more terms in office, and it is clear that the snubbed black vote helped account for this landslide victory; FDR earned 71 percent of the African American vote, and the so-called New Deal voting coalition, an unlikely alliance of business leaders, blue-collar whites, and blacks, reoriented the national political game for at least the next three decades. In fact, African Americans still support Democrats overwhelmingly. So while the Cleveland RNC in 1936 may be remembered for its failure to identify a candidate who could unseat Roosevelt, in their mishandling of black supporters and vicious rhetoric against a popular president, party leaders played into the hands of what was becoming a historic presidency, playing a role in reinforcing the New Deal. </p><p><em><strong><a href="https://clevelandhistorical.org/items/show/685">For more (including 9 images) view the original article</a></strong></em></p>]]></summary>
    <published>2014-12-12T11:21:38+00:00</published>
    <updated>2026-04-17T19:17:40+00:00</updated>
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    <id>https://clevelandhistorical.org/items/show/685</id>
    <author>
      <name>CSU Center for Public History and Digital Humanities</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[WPA Art at Oxford School]]></title>
    <summary type="html"><![CDATA[<img src="https://clevelandhistorical.org/files/fullsize/daacb521145b5a78a42a554846b1748f.jpg" alt="The Pied Piper" /><br/><p>Tucked away in a Cleveland Heights neighborhood is a whimsical trove of 1930s federal art. Thousands of students and hundreds of teachers who walked daily through the halls and library of Oxford Elementary School have passed by these beautiful pieces of art. </p><p>During the Great Depression, President Franklin D. Roosevelt developed a variety of programs to provide work relief for millions of needy Americans. The Works Progress Administration (WPA) Federal Art Project (FAP) put local artists to work creating murals, sculpture and ceramics using the "American Scene" for inspiration.</p><p>Under the direction of the Cleveland Museum of Art and the Cleveland Public Library, the Cleveland FAP employed needy artists adorning schools and public buildings throughout Greater Cleveland. The Cleveland Heights school district requested works pertaining to children's themes and the American Scene during the late 1930s and 1940s. Oxford Elementary received funding for two murals, two hydrocals, and thirty-five ceramics (though only some of the ceramics were completed).</p><p>In 1941, artists LeRoy Flint and Henry Olmer, inspired by the history of Cleveland, created a pair of relief panels for Oxford depicting "Agriculture" and "Industry." They were sculpted in clay, but cast in hydrocal, a type of extra-hard plaster. Cleveland Heights artist Edris Eckhardt guided the work of the Sculpture and Ceramics Division of Cleveland FAP. </p><p>In 1972 the school board approved a $19.5 million bond issue, which included the renovation of Oxford, thereby threatening its large Cinderella and Pied Piper of Hamlin murals. In the 1970s, the beauty and artistic value of Federal Art were just beginning to be recognized and scholars were searching for surviving pieces. Public pressure led to a reconsideration by the coordinating architects for the remodeling program. Oxford PTA president Donalene Poduska, with the help of principal James Evans and experts in American art, worked tirelessly to save the neglected Cinderella mural. At a time when only a fraction of the nation's federal art remains intact, a major project in 2000 restored and stabilized both of the Oxford murals.</p><p><em><strong><a href="https://clevelandhistorical.org/items/show/503">For more (including 9 images&#32;&amp;&#32;6 audio files) view the original article</a></strong></em></p>]]></summary>
    <published>2012-06-13T11:43:06+00:00</published>
    <updated>2026-04-17T19:17:39+00:00</updated>
    <link rel="alternate" type="text/html" href="https://clevelandhistorical.org/items/show/503"/>
    <id>https://clevelandhistorical.org/items/show/503</id>
    <author>
      <name>Mazie Adams</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Virginia Kendall Park]]></title>
    <summary type="html"><![CDATA[<img src="https://clevelandhistorical.org/files/fullsize/b42bef9a40e05a989bba75ec808f9181.jpg" alt="Scenic Overlook" /><br/><p>For thousands of years, the land that encompasses Virginia Kendall Park has been a place of nature, recreation, and history --  from its prehistoric formation to its housing of some of the area's first inhabitants. Once the site of a public works project during the Great Depression and now a modern-day urban oasis, visitors have always appreciated the variety the park has to offer.</p><p>Now a part of the greater Cuyahoga Valley National Park, this multi-purpose land unit was the first property in the area perpetually designated for park purposes. Upon his death in the late 1920s, Cleveland businessman Hayward Kendall donated 430 acres of land around the Ritchie Ledges to the Akron Metropolitan Park District, calling it Virginia Kendall to honor his mother. Long before Kendall owned the land, Native Americans lived among the rock outcroppings there, getting food and water from nearby woods and streams. A favorite place for Indians to store things back then was between the crevaces of the rocks, like that of the famed Ice Box Cave, which provided a natural form of refrigeration.</p><p>In the 1930s, the Civilian Conservation Corps (CCC) built shelters and trails as a part of the New Deal's public works programs. Young men ages 18-25, who were jobless due to the Great Depression, were recruited to cut locally quarried sandstones to build steps among the natural rock outcroppings. CCC workers also built shelters from wormy chestnut trees found in local forests. The Happy Days lodge they built there was named after the song, "Happy Days are Here Again," featured prominently in Franklin Roosevelt's 1932 Presidential campaign. The unique shape of the octagon shelter is a good example of how architects incorporated their designs into the natural landscape.</p><p>Today, the park contains four primary trails, four secondary trails, four shelters, a lake, sledding hills, open spaces, rock outcroppings, an old cemetery, and various flora and fauna.  The Cuyahoga Valley National Park makes available Questing pamphlets and Self-Guided Nature guides at most trailheads, allowing visitors to more easily explore Virginia Kendall's many treasures. </p><p><em><strong><a href="https://clevelandhistorical.org/items/show/276">For more (including 10 images) view the original article</a></strong></em></p>]]></summary>
    <published>2011-07-22T11:04:53+00:00</published>
    <updated>2026-04-17T19:17:38+00:00</updated>
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    <id>https://clevelandhistorical.org/items/show/276</id>
    <author>
      <name>Andreas Johansson</name>
    </author>
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